Photography by WILD CREATURECulture
A Note from the Editor
Roobie Chmooby on animals, drag, fashion and the peculiar business of being looked at.
WILD CREATURE / Index
Articles
Photography by WILD CREATURE
Photography by Nella AukFashion
The Last Fitting at Atelier Serein
Six looks, thirty-two fittings and one ibex who refuses to let a shoulder line interfere with her horns.
Photography by Basil TernNews & Gossip
Dahlia Capybara Leaves the Lantern Room with an Unmarked Hatbox
The hatbox was sealed, the car was waiting and apparently nobody had been briefed.
Photography by The Tidal StudioProfiles
Sharkira Banks in the Quiet Hours
The reef's most photographed face on beauty, privacy and learning to stop moving.
Photography by Agnes EelFashion
Paris Poodle Refuses the Final Look
One fitting, eleven metres of oxblood silk, and a very public disagreement about restraint.
Photography by The Night CurrentNews & Gossip
Puff Daddy Deluxe Leaves the Private Sub at 02:13
The headpiece was unmistakable. The companion behind the glass was less cooperative.
Photography by Molt StudioBehind the Scenes
Molt Studio Opens After Dark
A first look inside the dressing room where discarded skins become couture.
Photography by The Tidal Studio
Photography by WILD CREATURE ArchiveCulture
The Swan Who Left the Ballroom
On grace, refusal and the radical pleasure of walking out before applause.
Photography by Backstage Wire
Photography by The Night CurrentNews & Gossip
Soft Launch, Hard Shell
Two matching claws were seen leaving the same hotel. Representatives cite coincidence.
Photography by WILD CREATURE ArchiveCulture
Powder Room Politics
Who gets the mirror, who holds the bag, and why every revolution needs better lighting.