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A Note from the Editor
Roobie Chmooby on animals, drag, fashion and the peculiar business of being looked at.
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Photography by WILD CREATURECulture
A Note from the Editor
Roobie Chmooby on animals, drag, fashion and the peculiar business of being looked at.
Photography by The Night CurrentNews & Gossip
Puff Daddy Deluxe Leaves the Private Sub at 02:13
The headpiece was unmistakable. The companion behind the glass was less cooperative.
Photography by Molt StudioBehind the Scenes
Molt Studio Opens After Dark
A first look inside the dressing room where discarded skins become couture.
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Photography by Nella AukFashion
The Last Fitting at Atelier Serein
Six looks, thirty-two fittings and one ibex who refuses to let a shoulder line interfere with her horns.
Photography by Basil TernNews & Gossip
Dahlia Capybara Leaves the Lantern Room with an Unmarked Hatbox
The hatbox was sealed, the car was waiting and apparently nobody had been briefed.
Photography by Agnes EelFashion
Paris Poodle Refuses the Final Look
One fitting, eleven metres of oxblood silk, and a very public disagreement about restraint.
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Coral Palace Suites
Disappear beautifully.
Private rooms below the last useful depth.
Photography by The Tidal Studio
Photography by WILD CREATURE ArchiveCulture
The Swan Who Left the Ballroom
On grace, refusal and the radical pleasure of walking out before applause.
Photography by Backstage WireIn print / Issue 01
Keep something.
Beauty, scandal, ritual and escape across 164 pages.
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N°01